On the melancholy and morality of digital ecosystems.

An investigation of the multiple in art, through the works of some thirty artists.

This album retraces ten years of practice by the contemporary mixed choir of sighted and blind people founded by vocalist, improviser, composer and researcher Natacha Muslera, which explores compositional modes distanced from the visual field, drawing inspiration from ecosystems and biotopes and blending ancestral and experimental vocal practices.

The story of Jesus, or that of a fin-de-siècle anarchist, by the sapphic poet Renée Vivien (1877-1909), accompanied by a new piece by Nurse With Wound on CD.

A trans-theoretical essay: Arnaud Labelle-Rojoux explores the arcana of artists' cult status through a kaleidoscopic series of portraits of "banished" visual artists, filmmakers, writers, musicians and architects, from William S. Burroughs to Jean-Luc Godard via John Cage.

A reader based on a research undertaking, an exhibition, workshops, and a series of performances that invite artists, activists, scholars, and people from other walks of life to imagine new forms of cultural and political resistance through diverse emancipation projects, past and present, taking as point of departure the philosophy of quilombismo as developed by Brazilian artist, author, and politician Abdias Nascimento.

The first volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The second volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The third volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The fourth volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The fifth volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The seventh volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The tenth volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

A visual record of a research undertaking, an exhibition, workshops, and a series of performances that invite artists, activists, scholars, and people from other walks of life to imagine new forms of cultural and political resistance through diverse emancipation projects, past and present, taking as point of departure the philosophy of quilombismo as developed by Brazilian artist, author, and politician Abdias Nascimento.

The first English language translation of Robert Linhart's The Sugar and the Hunger, originally published in 1980. Includes afterword by Luiz Renato Martins, and other materials.

The first major work on the history and current importance of the Biennale of Young Artists, known as the "Biennale de Paris", which took place between 1959 and 1985, bringing together thirty-five texts by international authors, including some testimonies from actors who took part in the Biennale.

A sound postcard by eRikm: an instant composition recorded on CD, somewhere between sound performance and radio creation, accompanied by a booklet of photographs.

New improvised quartet synthesizer / voice / accordion / saxophone / drums, recorded in concert in Paris then mixed / edited by Jean-Marc Foussat.

Saxophones, voice, electronics and percussions, recorded remotely between France and Australia, with texts/poems by James Worse, and artwork by Steven Stapleton (Nurse With Wound).

The continuation of the sound adventures of the duo after "L'impatience des invisibles". A new studio album plus a second CD including the tracks released on vinyl by Mind Records, on mini-CD by Lenka Lente and with a live track in trio with Richard Franès (Pointe du Lac).

Four artist's posters.

The first book to unveil the main pictorial works (drawings, paintings and collages) of the British film director, the source of his entire cinematic oeuvre (new edition).

Four works based on four performances.

This book documents six years of reflections and productions, that is to say the 47 exhibitions—dedicated to young emerging artists as well as to major actors of the French and international art scene—organized at the Galerie Art & Essai of the University Rennes 2 between 2014 and 2020 under the direction of John Cornu.

Comprehensive documentation on the vast and daring interdisciplinary project conceived and staged by the Swiss artist John Armleder, a programme of exhibitions comprising invitations to other artists as well as presentations of different collections, for the Kanal-Centre Pompidou spaces.

An object book (with CD) featuring 29 concert reviews from the Parisian noise and experimental music scene in 2011 and 2012. It provides insights into a dynamic, radical, and deeply communal music scene (with a selection of photographs by Steeve Bauras, an experimental sound piece by DJ Fusiller created from concert recordings compiled by the author, and period flyers).

Contemporary art and degrowth.

Charles Fourier and the origins of feminism.

A visceral questioning of what a book can or cannot be, and of the positions of author and reader.

For countertenor, parrots, different voices & dead electronics.

A collection of texts, projects and images by the Parisian architecture studio on the subject of the highway, the most radical public space ever imagined, but also the most divisive and criticized today, questioning our relationship with modernity.

A series of flamboyant and exhilarating works by the Flemish painter, dedicated to his personal pantheon of the great female figures of History.

The first retrospective volume on the photography of the internationally acclaimed Nigerian filmmaker, photographer and music-video director Andrew Dosunmu: a sensual and kaleidoscopic celebration of the world's cultural diversity.

From his early days with Henry Cow, Fred Frith was seen as a brilliant instrumentalist and improviser, but what has been overlooked is what a first-rate composer he is. This recording offers both aspects. His most complex orchestral composition and two selected improvisations with the Ensemble Musiques Nouvelles.

From his early days with Henry Cow, Fred Frith was seen as a brilliant instrumentalist and improviser, but what has been overlooked is what a first-rate composer he is. This recording offers both aspects. His most complex orchestral composition and two selected improvisations with the Ensemble Musiques Nouvelles.

An overview of the work of the Paris-based American artist, through a series of exhibitions, installations and performances over a dozen years, three essays and two interviews.

Catalogue devoted to Niki de Saint Phalle's Tableaux éclatés (Burst paintings), a vast series of paintings composed of cut-out shapes set in motion by motorized devices as spectators pass by, created as an homage to Jean Tinguely (the book's pop-up cover allows to recompose the pattern of a painting using pull tabs!).

Publishing as a discursive process and the book as a device of (re)formulation and enunciation: the culmination of a research program aimed at extending the notion of writing to all dimensions of editorial practice.

Weaving fruitful links between the worlds of science and design, this catalog unveils the work of designers who have, in conceptual, technical or poetic ways, questioned the architecture of the Universe and the hidden laws of physics that govern it, bringing to the fore the fundamental questions that drive artists and scientists alike (with a contribution of cosmologist Thomas Hertog).

A publication by artist and teacher-researcher Marie Preston on the alternative pedagogies developed in France during the 1970s-1990s in "open" schools working on the question of the relationship between co-creation and co-education.

A story of love, lust and parenthood, born beneath a series of thunderstorms (the script by the acclaimed Welsh film director and screenwriter Peter Greenaway).

Artist's book.

Performance art with a “low artistic coefficient of visibility”.

At the intersection between theatre, fashion design and poetry, Concours de larmes is a powerful text, both prophetic and unsettling. Based on the play of the same name presented at the TU - Théâtre de l'Usine in Geneva in 2022, it is presented in the form of set of divinatory cards, each character referring to a specific part of the text.

Leaving aside temporarily his practice of Revox and magnetic tape played live, Jérôme Noetinger proposes two drones: a monolithic vibration, enriched by sputtering and a few electronic elements, and a piece playing with the grain of sound matter, gradually densified before a long lull in a kind of white noise.

Three perspectives (philosophical, sociological and artist's word) on the meaning of the avant-garde, and its relationship to the counter-culture.

An anthology of 72 texts published by the online French contemporary art journal Lacritique.org.

A wide-ranging panorama of La Réunion's artistic scene, through the works of 34 artists and texts by five authors, art historians, poets, and researchers: an exciting exploration of artistic creations that question postcolonial society, migration, displacement, cultural hybridization, as well as our understanding living together.

Inter #141 invites to approach degrowth as a paradigm of a possible way out of the planetary crisis, and to imagine new ways of living in the world.

A new milestone in the reflection on the challenges of creation in traditional music, and its recent aesthetic renewal.